The originator of the beloved children's show Teletubbies has cautioned that many YouTube programmes aimed at children are "empty" and do little to encourage creative thinking in kids.
Experienced kids' TV creator Anne Wood, who created the young children's popular series, stated that programming for kids has long been undervalued and expressed fear that "we're losing a tremendous amount" because it is not viewed as essential.
She believes that platforms like YouTube have abandoned "the responsibility of art" that trained professionals traditionally maintained. "While innovative, it may not be used with proper care" in the best interests of children, she remarked.
"In television, you can tremendously show and reflect back to children their own experience" in a humorous way that boosts self-esteem, Wood noted.
Wood and other experts in children's television shared concerns that YouTube's automated and infinite feed features do not favour high-quality content for children in the same way that traditional networks can.
She linked the drop in investment to the Communications Act of 2003, which ceased requiring TV channels to invest in programming for kids. This trend has accelerated with the rise of algorithm-driven online platforms.
Despite initial claims that Teletubbies was "oversimplifying", studies later indicated that its use of rhyme, repetition and simplicity actually boosted kids' verbal skills.
Wood contrasted the intentional editing in broadcast shows—giving kids space to understand—with algorithms that inhibit a child's capacity to develop and imagine.
She referred to well-known YouTube channels like CoCoMelon as "diverting entertainment" that can help occupied caregivers in small doses, but questioned "what is being displaced" and what children are missing when profit-driven programming dominates.
Ex- kids' show host Konnie Huq concurred that the landscape of children's media has changed significantly. She noted that while instructive content exists, both children and adults often choose quick enjoyment over delayed benefits.
Huq also voiced worry that the media industry is more and more commercially driven, with platforms like TikTok and Instagram pushing brand promotions.
She added that children's TV is often undervalued and treated as a "secondary little brother or sister" compared to adult programming, even though it plays a crucial role in raising future generations.
An academic expert, head of a centre for kids' online experiences, explained that evidence shows children gain from well-crafted content that is educational, creative or imaginative.
However, she noted, "caregivers may struggle to identify worthwhile material".
Livingstone pointed out that "the problem with YouTube was more the format than the content", as the algorithm is commercially motivated and can keep a young viewer's focus beyond healthy limits.
In summary, experts urge parents to seek out enriching content and be aware of how online services affect young viewers viewing habits.
Elara Vance is a seasoned business analyst with over a decade of experience covering international markets and industrial transformations.