Over the spanning nearly four centuries, the transatlantic slave trade resulted in 12.5 million Africans trafficked from their continent to the Americas. A staggering 1.8 million of those individuals perished during the Middle Passage, subjected to unfathomable conditions of extreme confinement, squalor, and disease. Many took their own lives by leaping overboard, whereas still more were forcibly cast into the sea.
In The Zorg, author Siddharth Kara weaves together two interconnected narratives. The first details a horrific incident aboard the eponymous slave ship—the deliberate murder of 132 captive individuals by its British crew. The second story explores how this event played a pivotal role in the ending of the Atlantic slave trade in 1807, thanks largely by the dedicated work of a dazzling array of abolitionist activists. Among them was Olaudah Equiano, who wrote one of the few surviving first-person narratives of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
The tale originates in Liverpool, a port city that at the peak of its prosperity was responsible for 40% of Europe's slave trade. Investing in slavery was a highly profitable venture for everyone from the wealthy but also the working classes. One such investor, William Gregson, accumulated his wages from his trade, ploughed them into the slave trade, and rose to become a wealthy burgher and even mayor. Gregson financed the slave ship The William, which set sail from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its hold was filled with commodities like tobacco, firearms, knives, and so-called “India goods” such as chintz and cowrie shells—the shells being a common currency in the purchase of enslaved people.
Concurrently, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had left the Netherlands. With Britain declaring war on the Dutch in late 1780, the Royal Navy gave British ships permission to seize Dutch property at sea—a de facto license for privateering. The Zorg was soon captured by a British captain and anchored off the Gold Coast. Meanwhile, Captain Hanley, during one of his voyages, took aboard a disgraced British governor named Robert Stubbs, who had been removed for corruption.
When Hanley reached Cape Coast Castle—a fortress with a notorious slave dungeon beneath it—he assumed control of the captured Zorg. He then severely overcrowd it with captives, put a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of dubious nautical skill, its captain. In August 1781, the Zorg finally left Accra carrying 442 enslaved Africans, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.
Kara is particularly skilled at using historical documents to bring to life the collective nightmare of being trafficked on a slave ship.
The Zorg's journey was plagued with calamity. Dysentery swept through the vessel, and then scurvy. The captain succumbed to sickness, became delirious, and appointed Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara masterfully utilizes eyewitness accounts to illustrate of the sheer horror. The graphic testimony of Alexander Falconbridge, a ship's surgeon turned abolitionist, details how the captives' skin was frequently rubbed raw to the bone from being packed on bare wood, their flesh caught between the planks.
By late November 1781, the Zorg was far from Jamaica and critically short on water. The crew made the decision to throw overboard a number of the captives, who had already suffered through months of obscene conditions below deck. This unspeakable act was not motivated by preserving life—the Africans had pleaded to be allowed to live, even without water rations—but by pure economic greed. Ship insurance policies did not cover deaths from disease, but they would pay for cargo jettisoned out of “necessity” for the ship's safety. Over several days, the crew drowned “those Africans who would be worth less at auction”—the infirm, the sick, including women and children, among them a baby born during the voyage.
Back in Liverpool, investor William Gregson was dissatisfied with the financial return on his investment. He filed an insurance claim for £30 per lost slave—a substantial sum in today's money. The insurers declined to pay. In March 1783, Gregson took them to court and won a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.”
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Just twelve days after the trial, an anonymous letter appeared in a widely read English newspaper. The author, who claimed to have been present the court proceedings, argued compellingly against slavery, using the Zorg case as a key illustration of its brutality. Olaudah Equiano saw the letter and brought it to the abolitionist Granville Sharp, who petitioned for a new trial. At the following hearing, the events on the Zorg were examined in forensic detail, precisely what the abolitionists had hoped for.
In the spring of 1787, the founding members of the Society for Effecting the Abolition of the Slave Trade first met. Over the subsequent years, they petitioned, orated, organized campaigns, and meticulously documented the realities of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of struggles, the Act for the Abolition of the Slave Trade was finally passed in 1807.
The debate over who or what deserves credit for abolition is contentious. The Zorg's influence, however, is visibly captured by J.M.W. Turner's famous painting, The Slave Ship, which was inspired by the events of 1781. While slavery has been widespread in human history, its abolition following a sustained mass campaign was historic, serving as an affirmation to the power of persistent activism, the pen, and unwavering persistence.
Unlike his previous books—such as the Pulitzer finalist Cobalt Red—Kara has had to address certain gaps in the available documentation. Consequently, speculative passages sit awkwardly next to scrupulously factual accounts, giving the book a somewhat hybrid feel. A blend of narrative suspense and part serious nonfiction, The Zorg nevertheless succeeds in illuminating one of history's most horrific episodes, using compelling prose and documented fact to assemble a portrait that stays with the reader well after the final page.
Elara Vance is a seasoned business analyst with over a decade of experience covering international markets and industrial transformations.